Hungarian House of Photography
Earlier Exhibitions
Mai Mano Gallery

Wera Saether

Saraswati  
Open to the public: 07. August – 20. September 2009.
Every weekdays: 14.00 – 19.00
Weekend: 11.00 – 19.00

  press release
Saraswati · Why India?

 




According to Hindu mythology, Saraswati is the name of a river, like Ganga and Yamuna, flowing in this world of visible forms. The river Saraswati has vanished from our eyes and become invisible, or underground. Saraswati can now be seen only in statues, made each year as the Goddess of Art and Knowledge.

”I spend almost six months each year in India & Bangladesh for the sake of grass-root projects (traditional song, traditional visual art forms etc). At the same time, the quest of the artist, photographer & poet goes on.

Photography is a form of connecting, and of meditation. It is an act of balance between the formless, the myriad of forms and the one point, by Indians called the bindu.

My point of departure or passion as a photographer is vanishing forms. The forms may long since have almost vanished, or they may be vanishing right now, because of age or neglect.

I want to capture the remains or traces. I want them to continue to be, if only as images. It may resemble a desire to make an archive.

The body, human or animal, enters this world of forms, remains for a while and then gets dissolved. Sadhus, who most often move near rivers or in jungles, know this, with silence, recitation of mantras, or song.
Sadhus do not create archives. Their address is in the wind. I, photographer and collector of forms, feel close to the path of the sadhu.

[a double gaze]
I know myself as a Norwegian breathing in and with my mother tongue, and a gaze formed in northern Europe, and as another, emotionally Indian or constantly born within a Bengali bhab, which means feeling & spirituality.

I have to travel back and forth between this northern ”peace” and the myriad of mental and visual forms of South Asia.
I have to translate myself to myself all the time.

There is also the strong bond to Budapest, for unknown reasons, but certainly because of the presence of the Roma population (with Indian origins), the history of Hungarian Jews, the strong presence of folk as well as classical music, the ”impossibility” of the Hungarian language and the nearness that Hungary has to ”my” India.” (Wera Saether)




Wera Sæther

(born in 1945, Norway)
photographer, poet, novelist, literary translator

1968-1971 Studies in the History of Religion
1973 Clinical psychology, University of Oslo
1975 – 80 Founded a community for autistic children in Oslo, she lived and worked there

Started photographing in the mid-eighties and participated for 3-4 years in weekly ”photography as expression” workhops with the Norwegian art photographer Thera (Anne Lise) Mjaaland.

Has worked as a psychotherapist and a reporter.

First book (poetry): published in 1973.
Since then, about forty books of poetry, novels (for children and everybody), non-fiction have been published.

In Bangladesh, she has founded and is the ”mother” of an organisation with the aim to preserve, inspire and promote tradtional folk songs and musical traditions (Kurigram & Lalmonirhat district).

In Kolkata she has founded and is the ”mother” of a very new small voluntary organisation called ”Earthcare with Art” that aims to let slum children paint as well as to strengthen environmental consciousness in the vulnerable region of Bengal.

Most important literary awards:
Gyldendal Legat (1980), Dobloug Award of Literature (Stockholm, Sweden 1996), Civitella Ranieri Fellowship (Italy, 1997), Ossietzky Freedom of Expression Award (Norwegian Branch of PEN (Oslo, 1999).

She was appointed ”a state scholar ” (statsstipendiat) in 1995 and receives an annual scholarship from the Norwegian Department of Culture.

She has travelled extensively in India, Bangladesh, Middle East, Rwanda, Guatemala, Central and Eastern Europe. She now divides her time between India & Bangladesh and Europe (Oslo & Budapest).

Main exhibitions:
2008: Cafe Neptun, Son, near Oslo, Norway
2006 and 2004: Academy of Fine Art, Kolkata
2006: Anna Szaloky Galéria and Bank Center
2000: Acamdemy of Fine Art, Kolkata & Bajaj Gallery, Mumbai
1996 – 2002 in Norway: Volda Kunstlag, Gallery X, Son, Asker
Museum, Galleri Nordstrand, Oslo

Upcoming exhibition:
2009 (Sept): House of Literature, Oslo

photo: Róbert Kassay

 

 

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